Susan Elizabeth Gagliardi
Office: 140 Carlos Hall
Art History Department
Ph.D. University of California, Los Angeles, 2010
Historical and present-day arts of West Africa, with a focus on arts identified as Senufo, Bamana, and Mande; practices and theories of power and assemblage, of the seen and the unseen, of secrecy, and of masquerade; patronage; museums and display methods; theories of archives and of knowledge production; maps and mapping; digital humanities
Senufo Unbound: Dynamics of Art and Identity in West Africa, Cleveland: The Cleveland Museum of Art; Milan: 5 Continents Editions, 2015.
“Art and the Individual in African Masquerades,” introduction to a partial special issue, Africa: Journal of the International African Institute 88, 4 (2018): 702-17
“Seeing the Unseeing Audience: Women and West African Power Association Masquerades,” Africa: Journal of the International African Institute 88, 4 (2018): 744-67
(Susan Elizabeth Gagliardi and Joanna Gardner-Huggett) “Introduction to the Special Issue: Spatial Art History in the Digital Realm,” Historical Geography (hosted by UNM University Libraries) 45 (2017): 17-36.
“MAP IT | Little Dots, Big Ideas: Transforming the Humanities with Geo-Spatial Analysis.” Southern Spaces (online), 28 June 2016.
(Robin O’Hern, Ellen Pearlstein, and Susan Elizabeth Gagliardi) “Beyond the Surface: Where Cultural Contexts and Scientific Analyses Meet in the Conservation of Komo Helmet Masks in Museum Collections.” Museum Anthropology 39, 1 (2016): 70-86.
(Susan Elizabeth Gagliardi and Constantine Petridis) Exhibition preview, “Senufo Unbound: Dynamics of Art and Identity in West Africa,” exhibition preview. African Arts 48, 1 (2015): 6-23.
“Masquerades as the Public Face: Art of Contemporary Hunters’ Associations in Western Burkina Faso.” African Arts 46, 4 (2013): 46-59.
“Mining the Rubin Archive: Mid-Twentieth-Century Documentation of Two Mumuye Vabo Masquerades.” In Central Nigeria Unmasked: Arts of the Benue River Valley, edited by Marla C. Berns, Richard Fardon, Sidney Littlefield Kasfir. Los Angeles: Fowler Museum at UCLA, 2011. 354-63.
“Seeing the Unseen: Arts of Power Associations on the Senufo-Mande Cultural ‘Frontier’,” in progress.
“Mapping Senufo: Mapping as a Method to Transcend Colonial Assumptions,” in progress.
Mapping Senufo, collaborative, born-digital publication initiated with support from the Emory Center for Digital Scholarship, in progress.